Saturday, June 6, 2009

Urban Gardens

I often notice this garden outside the Audi dealership on the corner of Victoria St and Swanston St as I walk to the Vic Market. It sort of clings on against the odds. A perfect example of the badness of corporate and instant gardens. The company clearly paid someone to come in and install it and never have any thought to its maintenance, except maybe to replace an area if it dies completely. I often look at it and think - 'how sad'.



But then today I noticed that the plants are going a bit wild, some are clearly content in their setting despite the fact they must get virtually no water and an unhealthy dose of exhaust fumes. There is a wonderful sense of texture with the massing grassy leaves and colour contrasts. Almost like a foaming sea of foliage.



There are flashes of blue and orange from the bird of paradise plants and patterns of the succulents against the steel grey wall and the sandy soil.



Friday, June 5, 2009

Snapshot, Melbourne.

Victoria Street, Melbourne, late afternoon, early winter. A reflected view of the city baths, RMIT, and the Melbourne Central. tower. I do like a good reflection, or borrowed façade, as I also like to refer to them.

Tuesday, June 2, 2009

Free talk at the NGV - UPDATED

UPDATE - Apologies apologies! I forgot to put the date down for the talk. It is this Friday, June 5th at 11am, meet at 10:50am.

A little heads up about a floor talk at the National Gallery of Victoria (International). These talks are great, usually they introduce just one painting in the collection and give a history of it and talk through the visual aspects of the particular image. The talk talk is a bit more general and addresses the relationship between person and picture, always an interesting area to delve into, details below.

The talks are organised by the Fine Arts Network (FAN), and independent organisation that promotes the study of the visual arts in Victoria. Attendance is free and open to all, though FAN encourages you to join up to recieve details of other events and to receive the Melbourne Art Journal.

The ‘Quality of Relationship’ between person and picture

John Armstrong
Philosopher in Residence, Melbourne Business School

Bernardo Bellotto, Ruins of the Forum, Rome, c. 1743. Image from the NGV website.

One of the most elusive—but most important—topics in the study of art is that of the relationship between the beholder and the image. Think of how we speak of our relationships to pictures: liking, loving, knowing about, hating, being excited, being bored, being puzzled. These are not just about the object, they are also about how we experience it. I’m going to talk about ‘the quality of relationship’ between a person and a picture—what makes for a good relationship.

This might seem like an unconventional topic. Mostly we talk about the works—and try to find out more about them. But surely that’s all in the service of individual relationships to individual pictures. But the leading edge in intellectual thinking is now paying much more attention to issues of evaluation: what is it to like a picture, to need it in your imagination? Why is it a good object? And this is of deep importance in cultural transmission. Culture isn’t only a matter of knowledge: it’s also to do with liking, loving and caring.

I want to explore how this picture, painted over 250 years ago continues to live, not just as a memento of another time and place, but as a living force in the present.

Meet at the Information Desk, NGV International, at 10.50 am.
Free event, all welcome, but RSVP to: sgillberg@bigpond.com

Monday, June 1, 2009

Romesick Snapshot

I get Romesick rather than Homeseick. Haven't been there in over a year and I miss it. I need to see and touch and smell the things I write about. Sometimes writing about Baroque art and gardens and architecture can seem so very alien in Melbourne.

The delicate stuccoed ceiling of a room in the Villa Doria Pamphilj, or the 'Bel Respiro.' The imagery and design are based on classical motifs.

The fine coffered ceiling of the Church of Santa Maria in Trastevere. This ceiling was designed by the artist Domenichino in 1617, the church structure itself dates to the twelfth century.

Monday, May 25, 2009

Frank Lloyd Wright Lego

I kid you not. What could be more delightful that constructing your very own lego version of the "Fallingwater" house in Pennsylvania?


The kits were designed by Adam Reed Tucker in collaboration with Lego. See the website here.

Other options include:

And the Empire State Building, which I find a little underwhelming.


All images via the Brickstructures website.
I found out about these via 'A Daily Dose of Architecture.'

Sunday, May 24, 2009

Calls for prime ministerial vegies

An article from the Australian yesterday caught my eye


Until we make Kev a garden variety PM, he won't be a patch on the Obamas - Michelle Rowe, May 23, 2009.

IF it's good enough for the Obamas, it's good enough for our Kev.

Australian food doyenne Stephanie Alexander has challenged Australia's "first family" to set up a vegie garden at the Lodge following Michelle Obama's much-publicised move to introduce paddock-to-plate eating at the White House.

Hot on the heels of winning the Vogue Entertaining + Travel Outstanding Contribution to Australian Food award for her most recent initiative, the Kitchen Garden Foundation, the restaurateur and author tells Food Detective that a vegetable garden at one of the PM's official residences would be a potent symbol of the importance of eating fresh, seasonal food.


Full article - click here.

I absolutely agree, I think everyone with some dirt should be growing something. It soothes the soul. Just imagine how this could help world peace if leaders could go outside and do some pruning when things weren't going so well. Always worked for my Dad.

Sunday, May 17, 2009

Eureka BOO!

A new game we can all enjoy. Simple rules. Whenever you suddenly catch a glimpse of the Eureka Tower leering down a laneway or popping above the skyline just yell out 'EUREKA BOO!'

Good times.

Here is one I prepared earlier.

Thursday, May 14, 2009

A snapshot, a gallery, a lecture

I have been a bit slack with the ole bloggy blog this past fortnight. I have been scrambling to finish the drafts of three chapters and start editing another. Plus a lot of reading for another project. But I don't wish to let my virtual Bosco languish from lack of cultivation so here are some bits and bobs that have taken my notice...

A Melbourne snapshot. The back of the Windsor Hotel in late afternoon Autumnal sunshine,from Lt Collins St. I just liked the patterns and textures.


A Gallery Re-opening. Uplands Gallery in Prahran has moved round the corner into High St. Re-opens tonight with a group show.

Image Uplands Gallery Website.

An upcoming lecture by Heide Museum of Modern Art director Jason Smith on the artist Francis Bacon.

Jason Smith -Director, Heide Museum of Modern Art

Dark Thoughts and Erotic Intensities: some thoughts on the works of Bacon,
Henson, Booth and Boynes
6.30 pm Tuesday 26 May 2009
Elisabeth Murdoch Theatre, University of Melbourne
Presented by the Fine Arts Network in collaboration with the Art History Discipline, School
of Culture and Communication, The University of Melbourne
All Welcome
FAN Members Drinks from 6.00 pm in foyer



Sunday, May 3, 2009

Snapshot, Saturday

Two photos from my walk yesterday.
Good window, bad air-conditioner. Corner of Hodgson and Smith St (you can notice it as you leave the Smith St Safeway). I like the massing of forms in this door frame. The two layer pediment and stocky pilasters seem to float, held up by nothing. Very mannerist. Actually I have been noticing a lot of mannerist-style architecture (Melbourne Mannerism?) in Melbourne buildings from the late 19th and early 20th centuries. However, it isn't a often discussed in descriptions, just generally referred to as 'Italianate' or 'Classical'.
This door frame is a sculptural mass of classical framing motifs that have been reduced to stocky simplified versions. The pilasters flanking the sides of the door have become thick strips with three simple ridges. The scrolls on the front pediment are reduced to egg shapes. The front pediment also looks like it is precariously balanced on a tiny sliver of the side pilasters.

Trees and shadows on a white house on Gore St.

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